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Strauss – Die Frau ohne Schatten

July 9 @ 7:00 pm11:00 pm

Ella jumps in to make their debut at the Festival d’Aix-en-Provence as Die Stimme des Falken and Der Hüter Der Schwelle des Tempels.

CONDUCTOR
Klaus Mäkelä
STAGE DIRECTION
Barrie Kosky
SET DESIGN
Michael Levine
COSTUME DESIGN
Victoria Behr
LIGHTING DESIGN
Franck Evin
DRAMATURGY
Antonio Cuenca Ruiz
CONDUCTOR ASSISTANT
Volker Krafft
VOCAL COACH
Rupert Dussmann
LANGUAGE COACH
Peggy Marmuth
STAGING ASSISTANTS
Johannes Stepanek, Maud Morillon
SET DESIGN ASSISTANT
Vadim Demotte
COSTUME ASSISTANT
Madeline Cramard
LIGHTING ASSISTANT
Cécile Giovansili Vissière
DER KAISER
Michael Spyres
DIE KAISERIN
Vida Miknevičiūtė
DIE AMME
Nina Stemme
BARAK, DER FÄRBER
Brian Mulligan
DIE FÄRBERIN
Ambur Braid
DER GEISTERBOTE, DIE STIMMEN DER WÄCHTER, MÄNNERCHOR
Jean-Sébastien Bou
DER EINÄUGIGE, DIE STIMMEN DER WÄCHTER, MÄNNERCHOR
Tomasz Kumięga
DER EINARMIGE, DIE STIMMEN DER WÄCHTER, MÄNNERCHOR
Daniel Miroslaw
DER BUCKLIGE, DIE ERSCHEINUNG EINES JÜNGLINGS, DIE STIMMEN DER WÄCHTER, MÄNNERCHOR
Robert Lewis
DIE STIMME DES FALKEN, DER HÜTER DER SCHWELLE DES TEMPELS
Ella Taylor
EINE STIMME VON OBEN
Héloïse Mas
DIENERINNEN
Laurence Pouderoux, Eugénie Lefebvre, Laura Jarrell
ACTORS
Laurène Andrieu, Elyssa Leydet Brunel, Jean-Baptiste Cautain, Laurent Ernst, Zoé Fréchet, Vladimir Hugot, Frédéric Ortiz, Sophie Planté, Franck Ziatni
DANCER
Prince Mihai
CHILD EXTRAS
Safir Belhout, Capucine Ceccaldi, Alexis Cortes, Line Dietsch, Sabrine Dietsch, Lucien Filippini, Antoine Froidevaux Godlewski, Léo Goujon Lovstrom, Eva Hardy, Nohé Hardy, Victor Henry, Alisa Ohanesian, Alix Rauline, Pauline Rubin Merle
CHOIR
Chœur de l’Orchestre de Paris
CHOIRMASTER
Richard Wilberforce
ORCHESTRA
Orchestre de Paris

As dawn breaks on the terrace of the palace, the verdict is final: if the Empress does not acquire the shadow she lacks within three days, her husband will be turned to stone. At what cost can the implacable prophecy be thwarted? Forced to mingle with humans, the woman without a shadow discovers a world of cruelty and pain, but also of kindness and generosity, a world that will transform her. An initiatory fresco teeming with symbolism and accompanied by the most sumptuous music, this most ambitious collaboration between Strauss and Hofmannsthal tackles, in the midst of World War I, a question that is more pressing than ever: what is the essence of humanity and why should it be perpetuated? In contrast to modern scepticism, it offers a vision full of hope and reiterates the urgency of storytelling in an age of disenchantment. Inspired by Barrie Kosky’s visionary ingenuity, Klaus Mäkelä chose this extraordinary work for his true debut in the pit, at the helm of the Orchestre de Paris and an exceptional cast.

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